2018 January 16th 2018 SARAH COVE Constable – From Chocolate Box to Jackson Pollock Constable's “six-footers” include some of his most famous and iconic paintings: The White Horse (1819) right, The Haywain (1821), The Leaping Horse (1825) and Salisbury Cathedral from the Meadows (1831). Their compositions were derived from small pencil drawings and oil studies and for each Constable painted a full- size oil sketch.  These “six-foot” sketches were unique and extraordinary creations in the early 19th century and were unseen by all but his family and closest friends during his lifetime. This lecture is based on Sarah's extensive research on Constable's oil painting practice carried out over 30 years of the Constable Research Project. Constable's dynamic late works and artistic temperament are brought to life in a new and exciting manner revealing a “Jackson Pollock of the 1830s. February 20th STEVE KERSHAW The Elgin Marbles It is now around 200 years since the purchase of the so-called 'Elgin Marbles' from Lord Elgin, by the British Parliament. This lecture, beautifully illustrated with specifically taken slides and video, will explore the aesthetics, the back-story, and the heated debates surrounding these fascinating and controversial works of ancient Greek art: what do we mean by 'the Elgin Marbles'? How and why were they originally created? Why are they so highly regarded? What happened to them between their creation and Elgin's time? How did he acquire them? Why are they now in the British Museum? And why are there such passionately held views both for and against their repatriation to Greece?   Background to the Elgin Marbles British Museum page on the Elgin Marbles March 20th JAMES RUSSELL Georgia O'Keeffe in New Mexico This colourful lecture explores the relationship between an extraordinary American painter and an equally remarkable place: the picturesque state of New Mexico. Having visited the mountain art colony of Taos for the first time in 1929, she moved permanently to New Mexico after World War II. Fascinated by the mountains and desert, adobe churches and sun-bleached bones, and above all by the brilliant light and vast skies of the state they call the Land of Enchantment, O’Keeffe painted constantly. She was a fearless explorer, setting off alone into the empty landscape in a battered old car, and a tremendous character. Drawing on my own twenty-year-long experience of New Mexico and an archive of personal photographs and reminiscences, this lecture brings to life one of America’s greatest artists, and one of its most beautiful places. Click here for the Georgia O’Keeffe Museum History of Georgia O’Keeffe April 17th COLIN DAVIES Architecture, Music and the Invention of Linear Perspective In his dissertation on architecture, Leon Battista Alberti – the original ‘Renaissance man’ – wrote: ‘We shall therefore borrow all our rules for the fixing of proportions from the musicians’. It is not surprising that the question of proportion should be an important theme in Alberti’s book, but how did the musicians get involved? It turns out that there is a mathematical link between visible proportions and audible proportions, or harmony, and that Renaissance architects were well aware of this link. They saw it as proof that their architecture could participate in the harmony of the whole cosmos. One of them, Filippo Brunelleschi, took the idea further in his invention of ‘linear perspective’ and thereby, incidentally, revolutionised western painting.  Church of Santo Spirito in Florence (1434-82) by Brunelleschi Filippo Brunelleschi’s Linear Perspective Linear Perspective in Painting May 15th DOMINIC RILEY Beautiful British Books (bookbinding) In this lecture Dominic tells the story of fine bindings in Britain over the last hundred years. The journey begins with William Morris and the Kelmscott Chaucer, possibly the last great book of the printed age. He will then show some of the amazing bindings from Sangorski and Sutcliffe, the finest bookbinders in the twentieth century, as well as work from their contemporaries. Dominic will then discuss the new world of Design Binding which emerged after the second world war, as modern design entered this ancient craft, and finish with examples from some of the best artistic bookbinders working today. One of the more elusive copies of the Chaucer is in a jewelled binding by Sangorski & Sutcliffe British Library web site on the Kelmscott Chaucer History of the Kelmscott Chaucer After the AGM June 19th LINDA SMITH Gypsies, Tramps and Thieves: the Representation of the Working Classes in Art This lecture looks at ordinary working people: skilled and unskilled workers in both urban and agricultural environments, craftsmen, artisans, shopkeepers, domestic servants, entertainers, prostitutes, beggars, paupers, slaves. Throughout the history of western art, they have always been there: for centuries as mute observers, background detail or comic relief. But as the world changes, art changes, and this talk will discuss the move of low-life subject matter from the despised and vulgar fringes of popular taste into the respectable mainstream; and out again into political radicalism and avant- garde edginess. This Da Vinci drawing might be "Scaramuccia, king of the gypsies” Grayson Perry talking to the Telegraph about working class art Gypsies in art There are no meetings in July & August Web site designed, created and maintained by Janet Groome Handshake Computer Training
The Arts Society Grantham
Web site and mobile pages designed, created and maintained by Janet Groome Handshake Computer Training
January 16th 2018 SARAH COVE Constable – From Chocolate Box to Jackson Pollock Constable's “six-footers” include some of his most famous and iconic paintings: The White Horse (1819) right, The Haywain (1821), The Leaping Horse (1825) and Salisbury Cathedral from the Meadows (1831). Their compositions were derived from small pencil drawings and oil studies and for each Constable painted a full-size oil sketch.  These “six-foot” sketches were unique and extraordinary creations in the early 19th century and were unseen by all but his family and closest friends during his lifetime. This lecture is based on Sarah's extensive research on Constable's oil painting practice carried out over 30 years of the Constable Research Project. Constable's dynamic late works and artistic temperament are brought to life in a new and exciting manner revealing a “Jackson Pollock of the 1830s. February 20th STEVE KERSHAW The Elgin Marbles It is now around 200 years since the purchase of the so- called 'Elgin Marbles' from Lord Elgin, by the British Parliament. This lecture, beautifully illustrated with specifically taken slides and video, will explore the aesthetics, the back-story, and the heated debates surrounding these fascinating and controversial works of ancient Greek art: what do we mean by 'the Elgin Marbles'? How and why were they originally created? Why are they so highly regarded? What happened to them between their creation and Elgin's time? How did he acquire them? Why are they now in the British Museum? And why are there such passionately held views both for and against their repatriation to Greece?   Background to the Elgin Marbles British Museum page on the Elgin Marbles March 20th JAMES RUSSELL Georgia O'Keeffe in New Mexico This colourful lecture explores the relationship between an extraordinary American painter and an equally remarkable place: the picturesque state of New Mexico. Having visited the mountain art colony of Taos for the first time in 1929, she moved permanently to New Mexico after World War II. Fascinated by the mountains and desert, adobe churches and sun-bleached bones, and above all by the brilliant light and vast skies of the state they call the Land of Enchantment, O’Keeffe painted constantly. She was a fearless explorer, setting off alone into the empty landscape in a battered old car, and a tremendous character. Drawing on my own twenty-year-long experience of New Mexico and an archive of personal photographs and reminiscences, this lecture brings to life one of America’s greatest artists, and one of its most beautiful places. Click here for the Georgia O’Keeffe Museum History of Georgia O’Keeffe April 17th COLIN DAVIES Architecture, Music and the Invention of Linear Perspective In his dissertation on architecture, Leon Battista Alberti – the  original ‘Renaissance man’ – wrote: ‘We shall therefore borrow all our rules for the fixing of proportions from the musicians’. It is not surprising that the question of proportion should be an important theme in Alberti’s book, but how did the musicians get involved? It turns out that there is a mathematical link between visible proportions and audible proportions, or harmony, and that Renaissance architects were well aware of this link. They saw it as proof that their architecture could participate in the harmony of the whole cosmos. One of them, Filippo Brunelleschi, took the idea further in his invention of ‘linear perspective’ and thereby, incidentally, revolutionised western painting.  Church of Santo Spirito in Florence (1434-82) by Brunelleschi Filippo Brunelleschi’s Linear Perspective Linear Perspective in Painting May 15th DOMINIC RILEY Beautiful British Books (bookbinding) In this lecture Dominic tells the story of fine bindings in Britain over the last hundred years. The journey begins with William Morris and the Kelmscott Chaucer, possibly the last great book of the printed age. He will then show some of the amazing bindings from Sangorski and Sutcliffe, the finest bookbinders in the twentieth century, as well as work from their contemporaries. Dominic will then discuss the new world of Design Binding which emerged after the second world war, as modern design entered this ancient craft, and finish with examples from some of the best artistic bookbinders working today. One of the more elusive copies of the Chaucer is in a jewelled binding by Sangorski & Sutcliffe British Library web site on the Kelmscott Chaucer History of the Kelmscott Chaucer After the AGM June 19th LINDA SMITH Gypsies, Tramps and Thieves: the Representation of the Working Classes in Art This lecture looks at ordinary working people: skilled and unskilled workers in both urban and agricultural environments, craftsmen, artisans, shopkeepers, domestic servants, entertainers, prostitutes, beggars, paupers, slaves. Throughout the history of western art, they have always been there: for centuries as mute observers, background detail or comic relief. But as the world changes, art changes, and this talk will discuss the move of low-life subject matter from the despised and vulgar fringes of popular taste into the respectable mainstream; and out again into political radicalism and avant- garde edginess. Grayson Perry talking to the Telegraph about working class art Gypsies in art There are no meetings in July and August Our new membership year starts in September 2018 Click here to return to the top of the page
Programme for 2018